Posts in tips & tricks
Using Florals for Interior Photography

Interior Designer: Tori Rubinson; Stylist: Melanie McKinley
All photographs: Stephen Karlisch

Floral arrangements are so critical when styling interiors for photography. Look through Instagram or the latest shelter publications and you’ll see that the most successful and stunning rooms have some sort of flowers, branches or greenery. Florals are so key to a room’s styling, making a space look fresh and literally alive, even if they aren’t the first thing you focus on when looking at the photo. But there’s a balance between the florals and your interiors. The photos are being taken to show your work in the best way possible, so you don’t want to distract from that with a fussy or over-the-top display. Here are some of the guidelines for florals – and be sure to scroll down for some amazing Instagram accounts to follow for inspiration.

Do You Need a Floral Stylist?

There are three ways you can work with florals for a photo shoot. First, there are interior stylists who are really good at designing floral arrangements. Be sure to ask to see some of their work before you hire them, of course, but having one person to help with all of the styling is going to make things easier. Or you can work with an interior stylist and a floral designer as a team. If you’re really good at putting together arrangements, then you can take on that role, of course. I know of at least three top designers who took courses in botanical arrangements to ensure they could do that for their photos and clients. But remember that you’re already going to be playing several roles during a photo shoot – art director, furniture mover, photo approver – so you may be adding more stress than you need. The key is to get someone who not only understands that the florals need to be gorgeous in the room, but that they also need to create the balance and symmetry that photos need. 

Styling Tips

The most important thing to remember is that whatever plants, flowers, or greenery that you bring into the room are there to add life and enhance the look. They are not meant to be the focus. That’s why you’ll see vases of blooms in a single color – they complement the decor and don’t become the center of attention. 

When you do the walkthrough with the photographer and stylist (and/or florist), decide which angles are going to be shot, and capture them with quick photos, even on your phone. You can then look at those photos and decide where florals are needed.

You can use arrangements to hide something (like a switch), to fill a “blank” area in the photo, or to balance a surface. Knowing the size and shape of what you need will also help you decide on what type of flowers, branches or plants you may need. For example, you could use a small tree in a corner that seems bare. You can use a small arrangement on top of a stack of books to make a more vertical line. Use your arrangements in strategic ways.

And select the type of flowers and plants based on your decor style. A more formal room may need a more artistic arrangement, whereas a boho room may look best with a relaxed grouping of natural flowers.

Finally, if you or an interior stylist will be creating the arrangements, be sure you use a local wholesale florist. Because you are considered a trade, you can get much better pricing that way. Order your flowers ahead of time, too, so you get exactly what you want and so they’re as fresh as possible.

Current Trends

Floral trends come and go – remember the ficus tree that seemed to be in every shot for a while? And the fiddle leaf is almost oversaturated now. Here are the trends that are hot today:

Branches. We’ve seen these for a while, but they aren’t going anywhere. In fact, arrangements of branches have only gotten bigger…literally. These work best in large rooms, to the side of the photo, or when they almost blend into the background. They also can “date” your photo, meaning you can use branches of fall leaves if you want to have your photo considered for an autumn issue. Or flowering branches can make a spring-like statement. The key is to let them arch the way they would as they grow. Don’t force them into positions that look unnatural.

Dried Flowers. We’re not talking about faux looks or strange potpourri types of botanicals. Today’s look is inspired by Parisian markets, so you see more lavender, eucalyptus, and small pampas grasses. Single stems are popular, as well as tied bouquets, and you see a lot of dried grasses mixed with fresh cut flowers, too. 

Single Colors. This look has been on-trend for a long time, and there’s a reason. Bouquets with a lot of color are distracting and will distract from your amazing interior design. They also can make the room look fussy or too busy. This subtle arrangements of one color are complementary to the room, and almost blend into the background. The photo’s viewer will still subconsciously take in the flowers and plants, but it won’t be what they focus on. You can go with a bit of an ombre look with subtle variations of pink, for example, but be careful that it isn’t distracting.

Go Natural. Natural flowers are the go-to today. So instead of tight formal roses, you’ll see wild or rambler roses. Dahlias are having a moment, and so are peonies, ranunculus, poppies and long streams of ivy. The idea is to have loose arrangements that look like they were just plucked from the garden. In those natural arrangements, you want to only use one variety of flower at a time. So a loose bouquet of hydrangea, or a couple of stems of poppies in a small vase. If you do put several varieties together, follow the one-color rule.

Some of our favorite stylists offer some insight into their process of designing with florals:

Jenny O'Connor @jennyoconnorstudio

“I like the floral that is right for the space and the shot. Sometimes that’s fluffy and fussy and sometimes that’s lean and sculptural. It all depends on the space and where the camera is. And a lot of getting a great floral moment comes down to choosing an appropriate vessel for what you want that floral to achieve for the shot.

Maybe this illustrates the difference? But the first I chose the vessel and directed what we wanted here (tall and shapely and wild) and the second I actually did the floral for (the opposite).”

Photography: Stephen Karlisch; Interior Design: Strike by Chad Dorsey; Coco & Dash; Laura Lee Clark

Styling: Jenny O’Connor


Anita Sarsidi anitasarsidi.com

“My floral style tends to be something a bit natural in the room so it doesn’t take center stage but complements the interior and enhances the room.”

Styling by Anita Sarsidi for Mahon Interior Design


Frances Bailey @francesfinds

“My flower philosophy is to select flowers and plants that help support the visual story the interior designer wants to tell. I have a pre-shoot call where I go over each space and we talk about the flower/plant story. Some designers are really into it and some like me to decide but first I need to understand what they want the room to say. I also try to use flowers that they haven’t used in prior shoots or things on their website portfolio to keep things interesting. I buy from the NYC Flower Market but try to use local, in season flowers whenever possible as well.”

Styled by Frances Bailey for Morgan Madison Design.


Who to Follow

Here are inspiring Instagram accounts for interior design, floral designers, and botanical accounts that will give you great ideas for your own floral styling:

Jenny O'Connor @jennyoconnorstudio

Anita Sarsidi anitasarsidi.com

Jimmie Henslee @hensleejimmie

Steve Cordony  @stevecordony

Adam Fortner @adamfortner

Melanie McKinley @melanie.mckinley.stylist

Colin King  @colinking

Flower Magazine @flowermagazine

Floret Flower @floretflower

Sarah Winward @sarah_winward

Frances Bailey  @francesfinds

French Country Cottage @frenchcountrycottage

Justina Blakeney @justinablakeney

Sophia Morena-Bunge @isaisafloral

Charlotte Moss @charlottemossco

2020 Year in Review (Press!)
 

No matter what, 2020 will be a year to remember. It reminds me of that quote about “the best of times and the worst of times.” Despite the pandemic and shutdowns, it was still a good year for the interiors business. I am so grateful to so many talented clients and was honored to have my photographs showcased on many shelter magazine covers and in several books. The years highlight was being selected to be the official photographer for the first Kips Bay Showhouse in Dallas

At the end of one year and the beginning of another, I think it’s important to look back at pivotal moments in the past 12 months and to celebrate successes. It gives me the motivation to push myself even more creatively and to set challenging goals for the new year. So here’s a look at the year in review for my studio:

PUBLISHED BOOKS

I was so excited to be a part of the Lucas Eilers book Expressive Interiors, published by Rizzoli. In 2019 going into 2020 I traveled with the designing duo of Sandy Lucas and Sarah Eilers to Charleston, Park City, Galveston plus the hill country, and their hometown of Houston to shoot projects specifically for this book. Because of my work with them and other designers, I am always now encouraging all designers I work with to understand how valuable and important it is to always think about how any shoot would look in a book format somewhere down the line.  

I have loved working with iconic designer Jan Showers over the past 20 years, so I was honored to be able to shoot for her again for her newest book Glamorous Living, published by Abrams in the fall. We worked with Jan a few years ago on her book Glamorous Rooms and a few months ago at the Kips Bay Showhouse in Dallas. She’s an incredible and gracious designer and we’re lucky to be able to collaborate with her.


As if that wasn’t enough book love, I also had a photograph featured from the designer Robert Passal shoot in the gorgeous new book de Gournay: Hand-Painted Interiors. It’s a gorgeous celebration of the company’s historic and modern collections of wallpaper, fabric, and porcelain. 

COVERS + EDITORIAL

We have a great track record in the studio of getting our work published. And this year was no exception, but what was incredible for us was the number of covers our work garnered. Celerie Kemble of Kemble Interiors began the year with making the cover and a feature in NY Cottages and Gardens from our NY shoot Park Avenue residential shoot. Our photo of a kitchen designed by Jean Liu Design was on the cover of House Beautiful.

A living room we shot for Emily Summers made the cover of Modern Luxury Interiors. A Hill Country home by Deb Baxter of Baxter Design Group also made the cover of Luxe Austin + San Antonio. And a fantastic set table in a dining room by Cullman & Kravis was featured on the cover of Southern Home

In a time of Covid and economic ups-and-downs, it can be tempting to drop your marketing or decide not to earmark money for professional photo shoots. But I can tell you that would be a big mistake. Shooting your projects is a must for your portfolio and your image marketing. And the local and national exposure is critical for your business. Our photography for leading designers has definitely helped them increase their brand awareness and their businesses in a crazy year.

We’ve had photographs published in almost too many publications in 2020 to name, but here are a few:

And so many more including an abundance of on-line media. It was a great year for publishing in our studio. We can help you with your image marketing and publishing goals in 2021 – just contact us by clicking here.


PROJECTS + APPEARANCES

This was a year like no other when it came to large-scale photo shoots and speaking engagements – we had to do things a little differently. I shot catalogs and campaigns for both Sutherland and Perennials this year. And with Perennials we had to rethink our process since it was the Summer of Covid. You can see the entire three issues and read how we pulled it off by clicking here

I love public speaking, especially when I can talk to interior designers. This year we went virtual, including a keynote at the Decorative Center in Houston with Lucas Eilers to talk about their book a couple of weeks ago. I had a great time talking with designer Traci Zeller about tips to take your photography to the next level – it was a keynote for the High Point Market. Also for High Point Market in the fall, I shared a virtual stage with Chad Dorsey to talk about getting the most out of your photography budget. 

Podcasts have also become more important than ever for our studio. It’s another great way to talk photography and get the word out about how important image marketing is. I’ve loved talking to great experts in several field, like Kaleigh Wiese and Jane Dagmi. We’re hoping to move to more live interviews and appearances in 2021, but I think we’ll still have a few digital months to go before that happens.


AND NOW TO 2021

So what’s next? The new year starts with a full calendar of shoots of completed projects around Texas and Oklahoma. Due to Covid, shoots have been juggling around for months and we are now making up past ones and newly scheduled ones. We expect the next six months to be full and continue with caution. Hoping travel starts back up by second part of the year to work with clients again around the country. Please visit our blog post on tips about photographing your projects during a pandemic. We already have a few fun things lined up for the new year, including a BIG project we’ve been keeping under wraps. We’re not quite ready to reveal it yet, but look for an announcement early 2021!


If you’re ready to book with us for a 2021 shoot, be sure to contact us as soon as you can. We’re ready to help you reach your image marketing goals and intentions for the new year!

 

 
Tips for Photographing Your Projects During a Pandemic
 

Interior designers across the country are incredibly busy – even during a pandemic. With everyone working, playing, vacationing, and learning at home, people are laser-focused on renovating and improving their houses. So now you have all of these amazing projects completed and you want to photograph them. But can you do that in a pandemic? With the right planning, you definitely can. It just takes a little ingenuity. 

I’ve shot many projects safely since the pandemic first hit, including a huge shoot for the Kips Bay Showhouse in Dallas and a Perennials campaign shoot.

StephenKarlisch.jpg

Here are my tips for getting the photos you need while still staying safe and sane.  

Make a Plan

The most important thing you can do for an effective photo shoot is preplanning. That’s true during non-pandemic times, but it’s especially important today. Do a walkthrough on installation day with your photographer, even if you have to do it on Facetime or Zoom. That initial walkthrough will help you identify the best angles and shots, and where you may need more styling. Create an in-depth shot list that efficiently moves the team around the home. And give up on any angles or shots that just don’t work. This type of photo shoot is about getting the best photos you can in a short amount of time - in and out. Know what the hero shots are, and know what can be dropped from the list.

Family Out

It is never a good idea to have a family in the home during a photo shoot. But it’s a really bad idea to expose your photographer, team, and clients to each other in a pandemic. The question is: How to get them out when they don’t really have anywhere they can safely go. This is where you’ll have to be creative and possibly spend a little money. First, if your clients have a second home or vacation home, see if you can schedule the shoot when they’re away. If they don’t, you could always rent an AirBNB for them for the day – preferably in a fun place that will entertain them and the kids. You could also rent a movie theater for the day. Lots of theaters are renting themselves out at $99 to make some money during shutdowns. That’s a small price to pay to get your clients out of the way. Be inventive and think of ways to please your clients and clear the home for the shoot.

Keep It Clean 

One way to make your clients and team members feel more comfortable with a photo shoot is to spell out cleaning procedures for before and after the team is in the home. Hiring a cleaning crew that will sanitize surfaces and floors is smart and will show your clients that their safety is top of mind for you. Masks for all crew are a given, but they should also wear gloves in the home and should remove their shoes outside the door before they enter. And there should be a lot of hand sanitizer available. The key is to be sure you communicate all of that to your client when you’re scheduling the shoot. You want them to see that you’re committed to making this a safe event for all, especially the family that lives in the home.

Smaller Team

You and the photographer should work with the smallest team possible. Fewer people mean less exposure. And some states are moving to very strict rules on how many people can be in a group at one time. Understand that each person at the shoot (including YOU) may have to double up on their duties, but that’s a small price to pay to keep everyone safe. If you can keep the group to a stylist, a photographer, an assistant and you, that would be the best-case scenario for all involved. Each person should also bring in their own snacks and drinks for the day. No using plates, cups, or other items in the home. Period.

Moving Along

On the day of the photo shoot, be prepared to have windows and doors open to move the air around. Fresh air has been shown to reduce exposure risks, so if it’s cool outside you may have to crank the heat and layer your clothing. Also use freestanding and ceiling fans to move that air. And be aware of distance as much as possible. We provide our clients with their own personal iPad to review the images so there is no need to share my computer. You can come into the room to adjust something, but then move at least 8 feet away from anyone else while the photographer is shooting.  


If you’re still concerned, you could also ask for all team members to have a COVID test before the shoot – but that’s up to you. Following the tips above will help you be as safe as you can be during a pandemic, while still getting the photos you need to market your business. I’m definitely aware of how important both of those goals are and I’ve had a lot of experience at shooting during a pandemic. Give my team a call if you want to work with us in the coming months to safely get the best photos of your projects.

 
High Point Market goes virtual

High Point Market may have been cancelled due to the COVID-19 crisis, but that won’t stop them from reaching out to the design community in a different way. Originally Stephen was scheduled to present another live educational event to designers during High Point Market last April. We are happy to share that the International Market Centers (IMC) has just announced an exclusive lineup of seminars, events and new product discovery opportunities. We are thrilled to be a part of this three-week-long digital event running from May 11 through May 29 on IMC’s High Point Market website. Every designer, showroom and brand in this industry should be taking advantage of this time to submit past professional press ready imagery as it is needed more than ever by print and on-line editorial. These opportunities as well as on going visual marketing content will make you stand apart, get published and noticed now and in these critical coming months. People in their homes are planning and hiring RIGHT NOW! If you have not heard Stephen speak at past markets where he shares his tips and expertise then this is a do not miss live event and an opportunity to ask questions too! He loves to have a designer with him so he or she can give you their perspective on what has worked for them. Traci Zellar, of Traci Zeller Interiors will be accompanying Stephen during this “Must Know Tips on How to Take Your Interior Photography Shoots to the Next Level” (1 CEU) that is co-sponsored by IMC DesignOne HPMTK and Alden Parkes. We hope that you will join Stephen and Traci as they discuss how to craft an effective photoshoot, from finding the right photographer, pre-planning, styling tips, what editors are looking for now, Show House secrets and all that goes into the shoot to make it a success! it’s not just about the shoot, you will also learn what to know and expect after the shoot, usage rights and social media etiquette. Space is limited so register for a seat now and we hope to see you on the webinar! Please see below about how to enter to win a signed 11x14 framed and matted 8x10 fine art print ($600 value) from our new Paris collection. Have a question you’d like to get in for the webinar, ask below or leave us a comment!

 
Join Stephen Karlisch and Traci Zeller for this not to be missed live webinar!

Join Stephen Karlisch and Traci Zeller for this not to be missed live webinar!

 
 
Here is a sample of our NEW Paris Series that will be live this week. We will be giving away a beautiful 11x14 framed black & white 8x10 fine art print with a signed 8 ply mat ($600 value). To enter, 1) register for the webinar and 2) comment be…

Here is a sample of our NEW Paris Series that will be live this week. We will be giving away a beautiful 11x14 framed black & white 8x10 fine art print with a signed 8 ply mat ($600 value). To enter, 1) register for the webinar and 2) comment below with a question for Stephen or just something you want to share. The drawing will happen May 15, 2020.

 
Art Directing Your Projects

It’s interesting to me that some designers think they will hire a photographer and stylist for a shoot, tell him/her what shots they’re looking for, and then have the shots delivered exactly as they want with no more work involved. I always want to remind interior designers that this is your photo shoot, and that you need to art direct the day – exactly the same way that a shelter publication will when they shoot a project.

Why? Because it’s your brand, and you need it to be visually represented in the best way possible. A good photographer and stylist are going to make the rooms look good, but they may not understand your brand and what you really need from the shots

I like to work in a partnership with my clients where we’re both fully committed to getting the best visual representation of the project. And it always works best if the designer is fully engaged in the process from the minute we sign an agreement. So what does that mean?

First, you need to think about who you’re going to pitch the project to, or how the images are going to be used. Discussing this plan with your photographer will impact how the project will be styled and shot. You should also think about what the takeaways will be for the person reading the article or viewing the project.

You want to scout the project again, preferably with the photographer and a stylist. It’s a great time to think about how many shots you’ll need, how many horizontals vs. verticals, what accessories and florals you want, what the light looks like, and so much more.

Be realistic about the shoot and the amount of time it will take! Especially if there’s a room that needs the daylight and it’s going to start getting dark at 6pm. It’s so important to have a shot list ready to go. It will speed up everything and you can be sure that we don’t miss a crucial angle or room. 

So the number-one question I get from a designer is if they really need a stylist for the shoot. My answer is always yes! First, you’re too close to the project and may not be able to visualize how it needs to look for publication. Things look very different on camera.  A stylist can help move the shoot along, styling the next room while the designer and I are shooting the current space. It’s more efficient and more effective. Plus a good stylist will know what trends magazines are looking for regarding props, floral, etc.

And if you still need to be convinced – my styling team and I have a very HIGH publish rate when we work together and then pitch a project. Yep, VERY, VERY, HIGH. 

Finally, remember that you want to look at each shot as it comes up on the computer. We can make adjustments and changes then and there so we get the perfect photo. This is the time for you to make sure the shots are going in the right direction. 

If you are an involved art director in your own photo shoot, you’ll walk away knowing you got the shots you wanted, and they match your brand aesthetic.

Maker Monday - Moving in Front of the Camera



Positano, Italy

Positano, Italy


It isn’t often that people turn the lens around and focus on me – I’m used to being behind the camera directing the action. So it was fun to be featured in Aspire Home & Design Magazine !

I like interviews that aren’t the same old boring questions – the Aspire reporter sent me some quirky ones to answer. They give you some interesting insights into things you may not have known about me. For example, most people may know that I have an architecture background, but not that my favorite board game is backgammon. Don’t know why you would need to know that, but hey, it makes us closer friends now, right? 

The regular Aspire feature focuses on “makers,” which may seem like an odd category for a photographer. But I see my role as crafting a message for designers and architects. You design rooms and homes, and I help create the best visual representation of that work. Basically it’s my job to make your work look as gorgeous as it can!

I’m a visual brand expert – someone who can take a designer’s work from good to FAB! With lighting, styling, and your designs…we make magic. My photos help tell your story. They elevate your brand and get you attention from press, clients, potential partners, and more. My work should help you get more work – that’s why I do what I do.

Well, I also do it for the endless supply of white linen shirts and fresh baguettes (see the article), but mostly I do it because I love my job behind the camera!

Okay, enough about me. Let’s turn that lens back around and focus on you!

What is the best bait for getting editors attention and new clients?
May 2019 Issue of Designers Today

May 2019 Issue of Designers Today

Indispensable imagery.

Designers Today delivers the tips and takeaways to make sure your interior design brand is as successful as your designs - including marketing tips, business strategies and more. In the May issue they focused on the importance of how gorgeously lit and professionally styled photography can be the best bait for getting editors attention as well as new clients.

Beautiful bathroom design by Denise McGaha

Beautiful bathroom design by Denise McGaha

I was very flattered to be among the selected creatives sharing our expertise in regards to all that goes into making the magic happen in interior photography. It was a fun talk with editor Jane Dagmi about things that affect the shoot day in a positive and negative way. Our approach to the interior shoot with our clients from knowing the marketing direction and who they are targeting.  And of course my take on scouting and how beneficial the planning is to making it a very efficient shoot day. 

If you didn’t get a chance to pick up the May issue then you can read the digital version here. 

Podcast! Stephen shares his expertise about interior photography

Last February Kristen had the pleasure of attending the Design Influencers conference in Atlanta. A conference specifically focused on the design industry. Among the many design influencers she connected with she was very excited to meet Darla and Natalie from Wingnut Social and also Darla Powell Interiors. We are podcast addicts and love how they are sharing excellent marketing information specifically tailored to the design professional. Stephen shares his expert advice to designers (and photographers should listen too) about getting started working with photographers, lighting, secret tips for you taking your own photos and much more. We hope this podcast will not only bring you new insights but a few laughs as well. Click here to listen to a fun take two.

From Scout to Finish, The Reason I Always Scout (and so should you!)

Scouting is one of the most important aspects of any of my shoots. I try to scout every single shoot now, its that important to me and for my clients. For years I would sometimes scout, or not worry about it for a home interior shoot, thinking I could show up first thing in the morning on a shoot day and figure it all out. I think many photographers that shoot for interior designers fall into this category, and they are missing a huge opportunity to make the shoot a success before it even happens. From a scout I’m able to determine the angles that work best, which shots should not even be attempted (huge time saver), and a schedule of how I want to shoot the house based on the lighting throughout the day. But probably the main reason I scout every shoot is to inform the styling of the final shots. For example, you will see in some of these examples several things were changed, and some only floral was added.

before

after

after

As you can see from this shoot with Allison Seidler Interiors, we decided to move furniture around, swap out a couple of lamps, side tables, and restyle the coffee table. Everything was shifted quite a bit towards the camera to allow for separation with the white chair and table, and sofa on right was moved into the space.

before

before

after

after

This kitchen shoot with Staci Steadley really benefited from the scouting shots. The florist, Haile Wossen, was able to determine the scale of floral to bring to fill in the window on the right, and the new barstools brought in by Staci changed the entire feel of the room. Removing homeowner clutter and knowing how much work will be needed ahead of time are huge time savers. Bring extra help!

before

before

after

after

And lastly, this living room by SBLong Interiors needed a lot of minor adjustments that we were able to decide before starting our shoot that day. Walking into this room knowing what was needed to happen made this transformation last about 30 min from start to finish.

So, you can see how and why I scout all my shoots. It takes a lot of the guesswork out of what can feel like a stressful day if you aren’t prepared. Do yourself a favor and scout!

"Doin' It For the Gram" - Pro Tips For Better Instagram Shots
Stephen Karlisch

Ever wondered how some feeds are so gorgeous and appealing to look at on Instagram? Having a good eye for a great shot is part of the magic of that appeal, but there are specific strategies you can leverage to ensure your pix get likes & your ‘gram following grows. Follow these tips I shared with DMC Designers Guide from Dallas Market Center for their January issue.

Tip 1:

Use an app like Snapseed (free) or VSCO to edit your images before posting.  Its really important that you find a look that you love to apply to all of your images, and these apps are the best.  Every image, iphone or not, will need some editing.  I like to brighten my images, add a little contrast and saturation(be careful not to go crazy here!), and straighten my shots.  

Tip 2: 

Cropping for Instagram.  Keep in mind the best crop for Instagram is a 4x5 proportion.  Crop images before posting, and stay consistent in this area as well.  Maybe you want all verticals, or square, or mix in horizontal shots, but when viewing your grid it should have a meaningful pattern. 

Tip 3: 

Details are best.  Tight cropped images of details get better results, because people can see them better.  If you post a huge room shot as a horizontal shot you will not get much impact, but it may work well on your website(horizontals always work better on websites).  Think vertical, and tight. 

Tip 4: 

Down shots of details to tell a story.  Think mood board, or swatches for a project, or a coffee table....  Again, stay level, tight and vertical.

Tip 5: 

Color!  Try to group images in your grid with a color element.  Think in groups of 9, or multiples of 9.  If you can, keep objects in mind to place in shots to pull in that color, just 'do it for the gram!'  

Bonus tips...   

When shooting detail shots, try to shoot them straight on, and from a lower position than shooting standing up.  Get low, and level!  In Snapseed there is a tool for automatically straightening your images, learn how to use it! 

Now, go out there & get snappin’!